CODE | AAH5011 | ||||||||||||||||
TITLE | Research Methods for Fine Arts | ||||||||||||||||
UM LEVEL | 05 - Postgraduate Modular Diploma or Degree Course | ||||||||||||||||
MQF LEVEL | 7 | ||||||||||||||||
ECTS CREDITS | 5 | ||||||||||||||||
DEPARTMENT | Art and Art History | ||||||||||||||||
DESCRIPTION | This study-unit provides students with the necessary methodological tools that are specific to contemporary fine art practice as a complex multidisciplinary research endeavour. Through a combination of hands-on exercises, theoretical lectures and research seminars students will be taught how to tailor their research in accordance with the particular needs of each of their practice-based projects. Lectures, which include a study of materiality and composition, will focus on the contemporary artistic context, methods of research, project planning and problem resolution, and the rigours of academic writing as a discipline. Study-unit Aims: This study-unit aims to: • Better the students’ ability to differentiate between various research methodologies (quantitative and qualitative); • Help students develop an informed critical reflexivity towards artistic production; • Help students move towards a more multidisciplinary approach to research; • Refine students’ ability to plan, execute and critically evaluate a practice-based research project. Learning Outcomes: 1. Knowledge & Understanding By the end of the study-unit the student will be able to: • Identify and articulate their research interests; • Choose the methods of research necessary for addressing the specific needs to their individual project; • Contextualise their methods of production within the broader contemporary artistic context; • Plan and efficiently manage their research project; • Articulate their practice-based research in a written dissertation that obeys the rigor of established academic criteria. 2. Skills By the end of the study-unit the student will be able to: • Identify the right sources of reference and device bibliographic/reference control strategies; • Compile, reflect and write a contextual and literature review; • Schematise the methods of experimentation, documentation and critical analysis; • Evaluate and adopt a wide variety of practice-based research methods. Main Text/s and any supplementary readings: - Abend, P., Beil, B., Ossa, V., (Eds.), Playful participatory practices theoretical and methodological reflections, Springer, 2020 - Atteqa, A., Collaborative praxis and contemporary art experiments in the MENASA region, Cham, Switzerland: Palgrave Macmillan, 2020 - Debord, G. Report on the Construction of Situations and on the International Situationist Tendency's Conditions of Organization and Action, June 1957 (online), 1975 Available at: http:// www.cddc.vt.edu/sionline/si/report.html - DeLanda, M., Assemblage Theory. Edinburgh: University of Edinburgh Press, 2016 - Wiley, C. & Pace, I., Researching and Writing on Contemporary Art and Artists: Challenges, Practices, and Complexities, Cham: Springer International Publishing AG, 2020. |
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STUDY-UNIT TYPE | Lecture, Practical and Seminar | ||||||||||||||||
METHOD OF ASSESSMENT |
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LECTURER/S | Matthew Attard Gilbert Calleja Keith Paul Sciberras |
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The University makes every effort to ensure that the published Courses Plans, Programmes of Study and Study-Unit information are complete and up-to-date at the time of publication. The University reserves the right to make changes in case errors are detected after publication.
The availability of optional units may be subject to timetabling constraints. Units not attracting a sufficient number of registrations may be withdrawn without notice. It should be noted that all the information in the description above applies to study-units available during the academic year 2025/6. It may be subject to change in subsequent years. |