OAR@UM Collection:/library/oar/handle/123456789/1301492025-12-25T05:49:06Z2025-12-25T05:49:06ZSulla Commedia di DanteGrima, Sala M. A./library/oar/handle/123456789/1302872025-01-03T10:17:30Z2021-01-01T00:00:00ZTitle: Sulla Commedia di Dante
Authors: Grima, Sala M. A.
Abstract: Nei decenni precedenti l'epoca che Johan Huizinga ha definito "l'autunno del Medioevo", l'Europa era non solo impegnata nella costruzione di cattedrali magnifiche, ma era anche dedita, parallelamente, all' elaborazione di una particolareggiata, se non compiuta visione del mondo. Una delle piu grandi - forse, addirittura, la piu grande - e la summa teologico-filosofica di Tommaso d' Aquino. Fra le altre cattedrali concettuali che dobbiamo a intelletti sublimi non si puo tacere quella di Bonaventura da Bagnoregio.2021-01-01T00:00:00ZTelevised British and Italian heterotopic afterlives : Back mirror and La porta rossaBonnici, Glen/library/oar/handle/123456789/1302842025-01-03T10:05:00Z2021-01-01T00:00:00ZTitle: Televised British and Italian heterotopic afterlives : Back mirror and La porta rossa
Authors: Bonnici, Glen
Abstract: This paper discusses the representation of spaces inhabited by spectral characters in the British series Black Mirror, specifically in the episodes entitled "Be Right Back" and "San Junipero", and in the first season of the Italian production Laporta rossa. While at first glance the two tv serials may appear as significantly different in terms of plot and style, a deeper look at the otherness that imbues the fictional places in which the narrative unfolds reveals an underlying similarity. This otherness is unearthed using Michel Foucault's theoretical notions on heterotopias as outlined in the essay "Of Other Spaces" combined with key concepts taken from studies on spectrality. The analysis identifies a link between supernatural ghosts and technological spectres in their ability to simultaneously reflect and inform our collective imagination and popular culture. The portrayal of spaces suspended between the familiar and the unknown are a primary way in which this influence is exerted and inevitably lead the viewers to question the ontological essence of humankind.2021-01-01T00:00:00ZPeter Vassallo on Dante and the romanticsVassalo, Peter/library/oar/handle/123456789/1302812025-01-03T07:34:32Z2021-01-01T00:00:00ZTitle: Peter Vassallo on Dante and the romantics
Authors: Vassalo, Peter
Abstract: The text below is the adapted transcription of a radio interview on
Campus FM conducted by Gloria Lauri-Lucente with Peter Vassallo on the
subject of Dante and Romantic aesthetics. The interview was broadcast in
March 2006 within the series "Laboratorju Letterarju." [excerpt]2021-01-01T00:00:00ZNino Ricci's version of a childhood trauma : an interpretation of In a glass houseD'Alfonso, Francesca/library/oar/handle/123456789/1302702025-01-02T14:26:21Z2021-01-01T00:00:00ZTitle: Nino Ricci's version of a childhood trauma : an interpretation of In a glass house
Authors: D'Alfonso, Francesca
Abstract: In In A Glass House Nino Ricci explores a boy's efforts to adjust himself to a new reality (Canada) immediately after his dramatic arrival from another country (Italy). In fact, this article focuses on the tortuous journey on which Vittorio embarks as he gradually conquers over time the alien landscape. In addition, from a narratological angle, particular attention is paid to the limited point of view that characterizes this novel. Indeed, the reader is directly involved in Vittorio's consciousness because every action and every mental response is filtered through the protagonist's eyes. This technique endows the novelistic text with an air of reality while the reader feels that every word and phrase is deeply ingrained in Vittorio's reliable mind. Ultimately, the novel may be regarded as a successful representation of a cultural transition whose results lead to a positive dialogism between the age-old Italian culture and the formative multicultural Canadian nationhood2021-01-01T00:00:00Z