OAR@UM Community:/library/oar/handle/123456789/323862025-12-25T21:39:23Z2025-12-25T21:39:23ZThalassic lessons : pedagogical aesthetics and the MediterraneanBaldacchino, John/library/oar/handle/123456789/568282020-05-31T05:22:23Z2013-01-01T00:00:00ZTitle: Thalassic lessons : pedagogical aesthetics and the Mediterranean
Authors: Baldacchino, John
Abstract: With some trepidation the poets plead to their sea. Their only hope is that the sea—
the thalassa—offers a lesson. This expectation exudes a sense of liturgy and
sacrifice. Not unlike a presbyter, the poet’s ritual seeks to mediate the world with
the myriad singular experiences that make it.
Heinrich Heine demands an answer from the North Sea by recalling the gods of
Hellas in an effort to resurrect its ability to conjoin death with life. He is the
presbyter who demands most. In contrast, in the presence of his sea, Montale sees
himself as a mere mortal. He could only engage in a strange rhythm as he carefully
traces back his upbringing along the Mediterranean coast. In the cycle of poems
Mediterraneo Montale-the-poet encounters the limits of Montale-the-man. His
liturgy happens every day, as it struggles with his poetic craft, looking for
appropriate words that would somehow represent his bewildered sense of loss, fear
and desolation as an individual. Overwhelmed by a presence that far exceeds what
the brain thinks or his voice could utter, Montale-the-man is reconciled with
Montale-the-poet by surrendering in a “struggling rhythm” to the limits of what the
rest of his senses could feel, taste and hear in a sea that portends the weight of
universality.2013-01-01T00:00:00ZTranslating the ‘Mediterraneans’ : art, education and understanding ‘between the lands’Vella, Raphael/library/oar/handle/123456789/568222020-05-31T05:22:29Z2013-01-01T00:00:00ZTitle: Translating the ‘Mediterraneans’ : art, education and understanding ‘between the lands’
Authors: Vella, Raphael
Abstract: Known in English and the romance languages as the sea ‘between the lands’,
the Mediterranean goes and has gone by many names: ‘Our Sea’ for the
Romans, the White Sea (Akdeniz) for the Turks, the ‘Great Sea’ (Yam gadol)
for the Jews, the ‘Middle Sea’ (Mittelmeer) for the Germans, and more
doubtfully the ‘Great Green’ of the ancient Egyptians. Modern writers have
added to the vocabulary, coining epithets such as the ‘Inner Sea’, the
‘Encircled Sea’, the ‘Friendly Sea’, the ‘Faithful Sea’ of several religions, the
‘Bitter Sea’ of the Second World War, the ‘Corrupting Sea’ of dozens of
micro-ecologies transformed by their relationship with neighbours who
supply what they lack, and to which they can offer their own surpluses; the
‘Liquid Continent’ that, like a real continent, embraces many peoples,
cultures and economies within a space with precise edges. (Abulafia 2011, p.
xxiii)2013-01-01T00:00:00ZKhora, topos and praxis : diverse concepts and meanings of contemporary art educationSavva, Andri/library/oar/handle/123456789/567782020-05-31T05:21:30Z2013-01-01T00:00:00ZTitle: Khora, topos and praxis : diverse concepts and meanings of contemporary art education
Authors: Savva, Andri
Abstract: Khôra (meaning space) and topos (meaning place)xviii could be described as
concepts with multiple and diverse meanings in which personal, social-cultural,
historical, and aesthetic dimensions coexist. It seems that no single theory or
conceptualisation could exhaust the diversely rich implication of these concepts,
especially in what might inform art education theory and research. This seems to
remain the case even when most scholars who have done extensive studies of the
concept of place (as being khôra and/or topos) would possibly agree that
understanding the multiple meanings of such concepts is key to understanding
wider concepts about the world, including: our relationships with ourselves, with
each other (across generations, distances, cultures) and with our surroundings.2013-01-01T00:00:00ZDisinheriting the heritage and the case of Pauliteiras : young girls as newcomers in a traditional dance from the northeast of PortugalMarques Da Silva, Sofia/library/oar/handle/123456789/567772020-05-31T05:21:14Z2013-01-01T00:00:00ZTitle: Disinheriting the heritage and the case of Pauliteiras : young girls as newcomers in a traditional dance from the northeast of Portugal
Authors: Marques Da Silva, Sofia
Abstract: In an article entitled “La Méditerranée oubliée”, Jean-François Devret (2003) holds
that there is a southern feeling of dissymmety and even deception arising from
growing contrasts in society and economy. Within Southern and Mediterranean
regions there are, however, other dissymmetries reinforcing the major ones. Those
dissymmetries are being experienced and are happening in everyday lives, namely
in young people’s lives, and they bear witness to deep inequalities at social,
cultural, economical and regional levels.
Portugal has been considered as a semi-peripheral context “which is a reference
to the existence of socio-cultural and economic features that are typical of an
intermediate level of development” (Rodrigues & Stoer 2001, p. 134).2013-01-01T00:00:00Z