OAR@UM Collection:/library/oar/handle/123456789/496942026-06-18T21:24:54Z2026-06-18T21:24:54ZTobacco pipes from an underwater excavation at the quarantine harbour, MaltaWood, John/library/oar/handle/123456789/501632025-12-29T08:06:20Z2008-01-01T00:00:00ZTitle: Tobacco pipes from an underwater excavation at the quarantine harbour, Malta
Authors: Wood, John
Abstract: This excavation was carried out in an area earmarked
for development just off the lazaretto
on Manoel Island in Marsamxett harbour (Figs.
2 and 3), between 22 and 29 June 2001.'7
The topography of the seabed consists of
a steep slope descending from 4 to 27m at an
angle of 55 degrees, values approximate. The
top of the slope is littered with war damaged
and discarded worked stone blocks (some of
archaeological value) and a variety of debris.
The main sediment consists of a mixture of
grey silt and sand.
Artefacts recovered ranged in date from
before the era of the Knights of Saint John to
Royal Naval issues (1530-1930). Seaweed and
silt were removed from the artefacts before desalination.35 of the 42 pipes are stylistically Ottoman
chibouks - ceramic bowls which would have
had perishable reed or wooden stems. The
other 7 fragments have origins in northern Europe.2008-01-01T00:00:00ZMalta Archaeological Review, Issue 7/library/oar/handle/123456789/501562020-01-15T08:54:36Z2008-01-01T00:00:00ZTitle: Malta Archaeological Review, Issue 7
Editors: Camilleri, Patricia
Abstract: Malta Archaeological Review, Issue 7 (2004-2005)
Description: Contents : From the president / Patricia Camilleri - Society activities - List of contributors2008-01-01T00:00:00ZOgnina - a puzzling prehistoric site in SicilyTrump, David/library/oar/handle/123456789/501542020-01-15T10:15:32Z2008-01-01T00:00:00ZTitle: Ognina - a puzzling prehistoric site in Sicily
Authors: Trump, David
Abstract: In 1965, Prof. Bernabo Brea of Syracuse
excavated a site on the small island of Ognina,
off the east coast of Sicily 12 km south of
Syracuse. He found two levels of
prehistoric occupation, a lower one of the
Early Neolithic Stentinello Culture, and an
upper one dating to the Early Bronze Age. At
these periods, however, it may not have been
an island but rather a small promontory beside
a sheltered inlet, making an ideal small port.
The Bronze Age material contained none
of the Castelluccio Culture, widespread in
South-east Sicily at the time, but pottery which
Brea recognised as being closely similar to
some which John Evans had found in Tarxien
Cemetery contexts in Malta. He therefore
suggested that the site had been refounded
at this period, after standing empty since the
Early Neolithic, by emigrants from Malta, who
had probably established it as a trading post
for their commercial interchanges with the
Sicilians. This was adopted as the orthodox
view by Italian prehistorians down to the
present day. However, some uneasiness was
felt among those studying Maltese prehistory,
on the grounds that there was very little
evidence for a sea-faring tradition in that early
period, and though there were undoubtedly
some raw materials imported into the islands,
this was on a comparatively small scale2008-01-01T00:00:00ZLe modele architectural du Tarxien reconstitue par Ugolini : la solution?Le Chevretel, Roger/library/oar/handle/123456789/501442020-11-03T10:56:09Z2008-01-01T00:00:00ZTitle: Le modele architectural du Tarxien reconstitue par Ugolini : la solution?
Authors: Le Chevretel, Roger
Abstract: Two fragments of evidence are compared. The first is a
Globigerina Limestone fragment found at Tarxien, that
appears to represent the plan of a rectilinear building
resting on a circular podium. A hypothetical reconstruction
was proposed by Ugolini to suggest what the entire
model may have looked like. Since then however, the
model has attracted only limited debate.
The second piece of evidence is one of the lithographs
published in 1787 by Jean Houel in his monumental
Voyage Pittoresque des isles de Sicile, de Lipari, et de
Malte. It shows a plan of a circular building of megalithic
construction. Within the megalithic circle, traces of a rectilinear
structure are clearly shown.
Attention is drawn to the striking similarity between
these two representations, which only appears to have
been noted once in the existing literature, in a passing
reference by Ugolini.
A new interpretation is then proposed. It is suggested
that Houel 's illustration faithfully represented the Xaghra
Stone Circle in Gozo. It is further argued that the model
from Tarxien represented a building belonging to the
same category as the Xaghra Circle. It is proposed that
the rectilinear structures that appear in both examples are
representations of buildings that formed part of the superstructure
of funerary complexes such as the Xaghra
Circle or the Hal Safiieni Hypogeum. Such buildings
may have performed functions related to the first stages
of the burial ritual.2008-01-01T00:00:00Z