OAR@UM Collection:/library/oar/handle/123456789/82492025-12-27T11:31:39Z2025-12-27T11:31:39ZThe new Malta neuroscience network programmeDi Giovanni, Giuseppe/library/oar/handle/123456789/82872024-04-29T11:04:19Z2015-08-01T00:00:00ZTitle: The new Malta neuroscience network programme
Authors: Di Giovanni, Giuseppe
Abstract: Interview with the Coordinator of the Malta Neuroscience Network Programme, Prof. Giuseppe Di Giovanni regarding the Malta Neuroscience Net-
work. "With the creation of the Malta Neuroscience Network, we will be keeping up with the most important developments with regard to brain research world-
wide: multi-disciplinary collaboration. Understanding
the way the brain works, and above all brain diseases is
extremely complicated, and requires the involvement of
researchers coming from a number of diff erent scientifi c
disciplines and clinical areas collaborating in new ways."2015-08-01T00:00:00Z2015 researcher's mini-symposiumMagri, David C./library/oar/handle/123456789/82862017-07-18T09:21:39Z2015-08-01T00:00:00ZTitle: 2015 researcher's mini-symposium
Authors: Magri, David C.
Abstract: Postgraduate researchers from the Faculties of Science, Engineering, Medicine & Surgery and Health Sciences gathered for a forum to present their research interests. The symposium was held in the afternoon of 30
January 2015 in the Engineering Lecture Theatre.
The symposium promoted multi-disciplinary networking between various university faculties. Participants
were invited based on research topic diversity and
gender balance.2015-08-01T00:00:00ZArchitectural perspectives in the cathedral of Palermo : image-based modeling for cultural heritage understanding and enhancementInzerillo, LauraSantagati, Cettina/library/oar/handle/123456789/82852017-11-28T09:59:21Z2015-08-01T00:00:00ZTitle: Architectural perspectives in the cathedral of Palermo : image-based modeling for cultural heritage understanding and enhancement
Authors: Inzerillo, Laura; Santagati, Cettina
Abstract: Palermo off ers a repertoire of both artistic
and architectural solid perspective of great beauty and
in large quantity. This paper addresses the problem of
the 3D survey of these works and their related study
through the use of image-based modelling (IBM) techniques.
We propose, as case studies, the use of IBM
techniques inside the Cathedral of Palermo. Indeed, the
church houses a huge and rich sculptural repertoire, dating
back to 16th century, which constitutes a valid field
of IBM techniques application.
The aim of this study is to demonstrate the e ffectiveness
and potentiality of these techniques for geometric
analysis of sculptured works. Indeed, usually the survey
of these artworks is very diffi cult due the geometric complexity,
typical of sculptured elements. In this study,
we analysed cylindrical and planar geometries as well as
carrying out an application of perspective return.2015-08-01T00:00:00ZDigital technologies for virtual recomposition : the case study of Serpotta stuccoesPaola, Francesco di/library/oar/handle/123456789/82842018-06-12T12:34:14Z2015-08-01T00:00:00ZTitle: Digital technologies for virtual recomposition : the case study of Serpotta stuccoes
Authors: Paola, Francesco di
Abstract: The matter that lies beneath the smooth
and shining surface of stuccoes of the Serpotta family, who used to work in Sicily from 1670 to 1730, has
been thoroughly studied in previous papers, disclosing
the deep, even if empirical, knowledge of materials science that guided the artists in creating their master-
works. In this work the attention is focused on the solid
perspective and on the scenographic sculpture by Giacomo Serpotta, who is acknowledged as the leading exponent of the School. The study deals with some particular works of the artist, the so-called "teatrini" (Toy
Theater), made by him for the San Lorenzo Oratory in
Palermo. On the basis of archive documents and previous analogical photogrammetric plotting, integrated
with digital solutions and methodologies of computer-
based technologies, the study investigates and interprets
the geometric-formal genesis of the examined works of
art, until the prototyping of the whole scenic apparatus.2015-08-01T00:00:00Z