Please use this identifier to cite or link to this item:
/library/oar/handle/123456789/130347| Title: | Baroque collective memory as a component of Maltese national identity |
| Authors: | Xuereb, Charles |
| Keywords: | Architecture, Baroque -- Malta Art, Baroque -- Malta Mural painting and decoration, Baroque Knights of Malta -- Malta -- Art patronage Feasts, Religious -- Malta Order of St John -- Malta -- Art patronage |
| Issue Date: | 2019 |
| Publisher: | University of Malta. International Institute for Baroque Studies |
| Citation: | Xuereb, C. (2019). Baroque collective memory as a component of Maltese national identity. Journal of Baroque Studies , 3(2), 149-170. |
| Abstract: | '(T)he individual is instituted as homo nationalis from cradle to grave at the same time as he or she is instituted as homo oeconomicus, politicus, religiosus ... '. Moral and political French philosopher Etienne Balibal pursues this statement with pertinent questions: what makes a people a people? How are individuals nationalized or, in other words, socialized in the dominant form of national belongings?' If ever there was a phenomenon that inspired and influenced the Maltese people both in the harbour area as well as in the countryside and helped them construct their identity this was indisputably the period during which they co-habited these Islands with the eminent Order of St John ( 1530-1798), after the 1565 Great Siege officially re-designated by Grandmaster de Valette as the Order of Malta. |
| URI: | https://www.um.edu.mt/library/oar/handle/123456789/130347 |
| ISSN: | 25207016 |
| Appears in Collections: | JBS, Volume 2, No. 3 (2019) JBS, Volume 2, No. 3 (2019) |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| Baroque collective memory as a component of Maltese national identity.pdf | 6.2 MB | Adobe PDF | View/Open |
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