| Issue Date | Title | Author(s) |
| 2026 | ²Ñ±ð³Ù²¹°ù±ð´Ú±ð°ù±ð²Ô³ú¾±²¹±ô¾±³Ùà &#³æ20;³¦¾±²Ô±ð³¾²¹³Ù´Ç²µ°ù²¹´Ú¾±³¦²¹&#³æ20;±ð&#³æ20;°ù¾±³Ù³Ü²¹±ô¾±³Ùà &#³æ20;²õ²¹³¦°ù²¹&#³æ20;¾±²Ô&#³æ20;±á²¹²ú±ð³¾³Ü²õ&#³æ20;±Ê²¹±è²¹³¾&#³æ20;(±·²¹²Ô²Ô¾±&#³æ20;²Ñ´Ç°ù±ð³Ù³Ù¾±,2011)&#³æ20;±ð&#³æ20;´¡&#³æ20;³¦±ô²¹²õ²õ¾±³¦&#³æ20;³ó´Ç°ù°ù´Ç°ù&#³æ20;²õ³Ù´Ç°ù²â&#³æ20;(¸é´Ç²ú±ð°ù³Ù´Ç&#³æ20;¶Ù±ð&#³æ20;¹ó±ð´Ç&#³æ20;±ð&#³æ20;±Ê²¹´Ç±ô´Ç&#³æ20;³§³Ù°ù¾±±è±è´Ç±ô¾±,&#³æ20;2021) | Bonnici, Glen |
| 2025 | Introducing adaptation studies at postgraduate level through American Psycho | Bonnici, Glen |
| 2024 | ¸é±ð-±ð³æ²¹³¾¾±²Ô¾±²Ô²µ&#³æ20;³Ù³ó±ð&#³æ20;±è²¹²õ³Ù&#³æ20;²¹²Ô»å&#³æ20;±ð²Ô±¹¾±²õ¾±´Ç²Ô¾±²Ô²µ&#³æ20;³Ù³ó±ð&#³æ20;´Ú³Ü³Ù³Ü°ù±ð&#³æ20;´Ç´Ú&#³æ20;±õ³Ù²¹±ô¾±²¹²Ô&#³æ20;³¦¾±²Ô±ð³¾²¹&#³æ20;²¹²Ô»å&#³æ20;³¾±ð»å¾±²¹&#³æ20;:&#³æ20;´³´Ç³Ü°ù²Ô²¹±ô&#³æ20;´Ç´Ú&#³æ20;±õ³Ù²¹±ô¾±²¹²Ô&#³æ20;°ä¾±²Ô±ð³¾²¹&#³æ20;&²¹³¾±è;&#³æ20;²Ñ±ð»å¾±²¹&#³æ20;³§³Ù³Ü»å¾±±ð²õ&#³æ20;–&#³æ20;´Ú´Ç³Ü°ù³Ù³ó&#³æ20;¾±²Ô³Ù±ð°ù²Ô²¹³Ù¾±´Ç²Ô²¹±ô&#³æ20;³¦´Ç²Ô´Ú±ð°ù±ð²Ô³¦±ð,&#³æ20;³Ù³ó±ð&#³æ20;´¡³¾±ð°ù¾±³¦²¹²Ô&#³æ20;±«²Ô¾±±¹±ð°ù²õ¾±³Ù²â&#³æ20;´Ç´Ú&#³æ20;¸é´Ç³¾±ð,&#³æ20;13–15&#³æ20;´³³Ü²Ô±ð&#³æ20;2024 | Bonnici, Glen |
| 2024 | ³¢¾±±ô¾±²¹²Ô²¹&#³æ20;°ä²¹±¹²¹²Ô¾±&#³æ20;²¹³Ù&#³æ20;³Ù³ó±ð&#³æ20;´Ú´Ç³Ü°ù³Ù³ó&#³æ20;±ð»å¾±³Ù¾±´Ç²Ô&#³æ20;´Ç´Ú&#³æ20;³Ù³ó±ð&#³æ20;´³´Ç³Ü°ù²Ô²¹±ô&#³æ20;´Ç´Ú&#³æ20;±õ³Ù²¹±ô¾±²¹²Ô&#³æ20;°ä¾±²Ô±ð³¾²¹&#³æ20;&²¹³¾±è;&#³æ20;²Ñ±ð»å¾±²¹&#³æ20;³§³Ù³Ü»å¾±±ð²õ&#³æ20;³¦´Ç²Ô´Ú±ð°ù±ð²Ô³¦±ð,&#³æ20;°ù±ð-±ð³æ²¹³¾¾±²Ô¾±²Ô²µ&#³æ20;³Ù³ó±ð&#³æ20;±è²¹²õ³Ù&#³æ20;²¹²Ô»å&#³æ20;±ð²Ô±¹¾±²õ¾±´Ç²Ô¾±²Ô²µ&#³æ20;³Ù³ó±ð&#³æ20;´Ú³Ü³Ù³Ü°ù±ð&#³æ20;´Ç´Ú&#³æ20;±õ³Ù²¹±ô¾±²¹²Ô&#³æ20;³¦¾±²Ô±ð³¾²¹&#³æ20;²¹²Ô»å&#³æ20;³¾±ð»å¾±²¹,&#³æ20;°Õ³ó±ð&#³æ20;´¡³¾±ð°ù¾±³¦²¹²Ô&#³æ20;±«²Ô¾±±¹±ð°ù²õ¾±³Ù²â&#³æ20;´Ç´Ú&#³æ20;¸é´Ç³¾±ð,&#³æ20;13–15&#³æ20;´³³Ü²Ô±ð&#³æ20;2024 | Bonnici, Glen |
| 2023 | ±õ³Ù²¹±ô¾±²¹²Ô&#³æ20;³¦¾±²Ô±ð³¾²¹&#³æ20;²¹²Ô»å&#³æ20;³¾±ð»å¾±²¹&#³æ20;:&#³æ20;±è²¹²õ³Ù&#³æ20;²¹²Ô»å&#³æ20;±è°ù±ð²õ±ð²Ô³Ù,&#³æ20;³¦´Ç²Ô³Ù¾±²Ô³Ü¾±³Ù²â&#³æ20;²¹²Ô»å&#³æ20;³¦³ó²¹²Ô²µ±ð,&#³æ20;±ð³æ±è±ð³¦³Ù²¹³Ù¾±´Ç²Ô²õ&#³æ20;´Ú´Ç°ù&#³æ20;³Ù³ó±ð&#³æ20;´Ú³Ü³Ù³Ü°ù±ð&#³æ20;:&#³æ20;´³´Ç³Ü°ù²Ô²¹±ô&#³æ20;´Ç´Ú&#³æ20;±õ³Ù²¹±ô¾±²¹²Ô&#³æ20;°ä¾±²Ô±ð³¾²¹&#³æ20;&²¹³¾±è;&#³æ20;²Ñ±ð»å¾±²¹&#³æ20;³§³Ù³Ü»å¾±±ð²õ&#³æ20;–&#³æ20;³Ù³ó¾±°ù»å&#³æ20;¾±²Ô³Ù±ð°ù²Ô²¹³Ù¾±´Ç²Ô²¹±ô&#³æ20;³¦´Ç²Ô´Ú±ð°ù±ð²Ô³¦±ð,&#³æ20;´¡³¾±ð°ù¾±³¦²¹²Ô&#³æ20;±«²Ô¾±±¹±ð°ù²õ¾±³Ù²â&#³æ20;´Ç´Ú&#³æ20;¸é´Ç³¾±ð,&#³æ20;16–18&#³æ20;´³³Ü²Ô±ð&#³æ20;2022 | Bonnici, Glen |
| 2024 | Nani e ragazzi rana : la solitudine dei freaks italiani | Foni, Fabrizio |
| 2020 | Resurrecting the suffragettes on screen : spectropoetics and spectropolitics in Sarah Gavron's Suffeagette | Lauri Lucente, Gloria |
| 2018 | "Lest we forget" : the grand illusion of the Great War on celluloid in Britain and Italy | Lauri Lucente, Gloria |
| 2016 | Milano, 21 Giugno 1990. L'ultima intervista a Maria Corti | Lauri Lucente, Gregory; Lauri Lucente, Gloria; Corti, Maria |
| 2016 | "Demon barbers", "Scarecrows of fidelity", and "Dialogical deviances" in neo-Victorian film : the case of the French lieutenant's woman | Lauri Lucente, Gloria |
| 2010 | Adapting Edith Wharton. Martin Scorsese's The age of innocence | Lauri Lucente, Gloria |
| 2015 | ¹ó¾±»å±ð±ô¾±³Ù²â&#³æ20;³Ù´Ç&#³æ20;³Ò°ù±ð²¹³Ù&#³æ20;±ð³æ±è±ð³¦³Ù²¹³Ù¾±´Ç²Ô²õ&#³æ20;»å±ð±ð±è±ð²Ô±ð»å&#³æ20;:&#³æ20;¶Ù¾±³¦°ì±ð²Ô²õ,&#³æ20;³¢±ð²¹²Ô,&#³æ20;²¹²Ô»å&#³æ20;°ä³Ü²¹°ùó²Ô | Lauri Lucente, Gloria |
| 2020 | North and South televised : the BBC productions of 1975 and 2004 | Lauri Lucente, Gloria |
| 2015 | Nostalgia and nostophobia : filming Englishness and Italianness in A room with a view and Where angels fear to tread | Lauri Lucente, Gloria |
| 2015 | Merope : vol. 24, no. 61-62, 2015 | Marroni, Francesco; Lauri Lucente, Gloria; Soccio, Anna Enrichetta; Zulli, Tania; Michelucci, Stefania; Antinucci, Raffaella; Berber, Neval; Corby, James; Callus, Ivan |
| 1991 | Language and demography in Malta : the social foundations of the symbiosis between Semitic and Romance in standard Maltese | Brincat, Joseph M. (Giuseppe) |
| 2023 | ¶Ù±ð¾±&#³æ20;»å´Ç±¹±ð°ù¾±&#³æ20;»å±ð±ô±ô’u´Ç³¾´Ç&#³æ20;»å¾±&#³æ20;³Ò¾±³Ü²õ±ð±è±è±ð&#³æ20;²Ñ²¹³ú³ú¾±²Ô¾±&#³æ20;:&#³æ20;²µ±ð²Ô±ð²õ¾±,&#³æ20;²¹²Ô²¹±ô¾±²õ¾±&#³æ20;±ð&#³æ20;´Ú´Ç°ù³Ù³Ü²Ô²¹ | Cachia, Isacco |
| 2008 | ¶Ù³Ü&#³æ20;³Õ¾±±ð³Ü³æ&#³æ20;³¾²¹°ù¾±²Ô&#³æ20;à &#³æ20;²Ñ²¹²õ³Ù°ù´Ç&#³æ20;³¦²¹³Ù°ù²¹³¾±ð&#³æ20;±ð²Ô&#³æ20;±è²¹²õ²õ²¹²Ô³Ù&#³æ20;±è²¹°ù&#³æ20;¶Ù´Ç°ùé&#³æ20;:&#³æ20;±ô±ð²õ&#³æ20;²õ³Ù°ù²¹³Ù¾±´Ú¾±³¦²¹³Ù¾±´Ç²Ô²õ&#³æ20;»å±ð&#³æ20;±ô’i³¾²¹²µ¾±²Ô²¹¾±°ù±ð | Foni, Fabrizio |
| 2021 | ³¢â€™a³¦±ç³Ü¾±²õ¾±³ú¾±´Ç²Ô±ð&#³æ20;¾±³¾±è±ð°ù´Ú±ð³Ù³Ù²¹&#³æ20;»å¾±&#³æ20;³Ü²Ô²¹&#³æ20;±ô¾±²Ô²µ³Ü²¹&#³æ20;²¹»å²õ³Ù°ù²¹³Ù´Ç&#³æ20;:&#³æ20;±ô’i³Ù²¹±ô¾±²¹²Ô´Ç&#³æ20;»å±ð²µ±ô¾±&#³æ20;²¹²Ô²¹±ô´Ú²¹²ú±ð³Ù¾±&#³æ20;²¹&#³æ20;²Ñ²¹±ô³Ù²¹&#³æ20;»å²¹±ô&#³æ20;³§±ð³Ù³Ù±ð³¦±ð²Ô³Ù´Ç&#³æ20;²¹±ô&#³æ20;±·´Ç±¹±ð³¦±ð²Ô³Ù´Ç | Brincat, Joseph M. (Giuseppe) |
| 2017 | Maltese : blending Semitic, Romance and Germanic lexemes | Brincat, Joseph M. (Giuseppe) |
Collection's Items (Sorted by Submit Date in Descending order): 1 to 20 of 60
