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Title: Architecture, politics and memory in post-WWII Europe
Other Titles: The different faces of politics in the visual and performative arts
Authors: Thake, Conrad
Keywords: Politics in art -- History -- 20th century
Architecture -- Political aspects -- Europe -- History -- 20th century
Architecture and state -- Europe -- History -- 20th century
Architecture in art -- History -- 20th century
Europe -- History -- 1945-
Issue Date: 2024
Publisher: Routledge, Taylor & Francis Group
Citation: Thake, C. (2024). Architecture, politics and memory in post-WWII Europe. In M. T. Vassallo, & A. P. Debattista (Eds.), The Different Faces of Politics in the Visual and Performative Arts (pp. 101-114). Routledge, Taylor & Francis Group.
Abstract: All architecture has a political dimension, in a sense it expresses a set of values and is never a neutral medium. The late American artist and architect, Lebbeus Woods (1940-2012) stated that 'architecture is a political act by nature. It has to do with the relationships between people and how they decide to change their conditions of living' (Jacobson, 2015). At a higher institutional level, architecture becomes a process by which a building and urban context can be redefined and transformed as a representation of the powers that be. Architectural history is replete with various instances where the ruling political class has resorted to patronise public architecture and appropriated it as a medium to convey potent visual signals that resonate their ideologies. [excerpt]
URI: https://www.um.edu.mt/library/oar/handle/123456789/120347
ISBN: 9781032406244
Appears in Collections:Scholarly Works - FacArtHa

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