Please use this identifier to cite or link to this item:
/library/oar/handle/123456789/120347| Title: | Architecture, politics and memory in post-WWII Europe |
| Other Titles: | The different faces of politics in the visual and performative arts |
| Authors: | Thake, Conrad |
| Keywords: | Politics in art -- History -- 20th century Architecture -- Political aspects -- Europe -- History -- 20th century Architecture and state -- Europe -- History -- 20th century Architecture in art -- History -- 20th century Europe -- History -- 1945- |
| Issue Date: | 2024 |
| Publisher: | Routledge, Taylor & Francis Group |
| Citation: | Thake, C. (2024). Architecture, politics and memory in post-WWII Europe. In M. T. Vassallo, & A. P. Debattista (Eds.), The Different Faces of Politics in the Visual and Performative Arts (pp. 101-114). Routledge, Taylor & Francis Group. |
| Abstract: | All architecture has a political dimension, in a sense it expresses a set of values and is never a neutral medium. The late American artist and architect, Lebbeus Woods (1940-2012) stated that 'architecture is a political act by nature. It has to do with the relationships between people and how they decide to change their conditions of living' (Jacobson, 2015). At a higher institutional level, architecture becomes a process by which a building and urban context can be redefined and transformed as a representation of the powers that be. Architectural history is replete with various instances where the ruling political class has resorted to patronise public architecture and appropriated it as a medium to convey potent visual signals that resonate their ideologies. [excerpt] |
| URI: | https://www.um.edu.mt/library/oar/handle/123456789/120347 |
| ISBN: | 9781032406244 |
| Appears in Collections: | Scholarly Works - FacArtHa |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| Architecture politics and memory in post WWII Europe 2024.pdf Restricted Access | 3.03 MB | Adobe PDF | View/Open Request a copy |
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